Humour 1927-002/1928.en
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    THE INTERNATIONAL JOURNAL
    OF
    PSYCHO-ANALYSIS

    VOLUME IX JANUARY 1928 PART I

    ORIGINAL PAPERS

    HUMOUR
    BY
    SIGMUND FREUD

    In my work on Wit and its relation to the Unconscious (1905) I con- |

    sidered humour really from the economic point of view alone. My

    object was to discover the source of the pleasure derived from humour,

    and I think I was able to show that that pleasure proceeds from a
    ving in expenditure of affect.

    There are two ways in which the process at work in humour may
    take place. Either one person may himself adopt a humorous
    attitude, while a second person acts as spectator, and derives enjoy-
    ment from the attitude of the first ; or there may be two people con-
    cerned, one of whom does not himself take any active share in pro-
    ducing the humorous effect, but is regarded by the other in a humorous
    light. To take a very crude example : when the criminal who is being
    led to the gallows on a Monday observes, * Well, this is a good beginning
    to the week ', he himself is creating the humour ; the process works
    itself out in relation to himself and evidently it affords him a certain
    satisfaction. I am merely a listener who has not assisted in this
    functioning of his sense of humour, but I feel its effect, as it were from
    a distance. I detect in myself a certain humorous satisfaction, possibly
    much as he does.

    We have an instance of the second type of humour when a writer
    or a comedian depicts the behaviour of real or imaginary people in a
    humorous fashion. There is no need for the people described to display
    any humour; the humorous attitude only concerns the person who
    makes them the object of it, and the reader or hearer shares his enjoy-
    ment of the humour, as in the former instance. To sum up, then, we
    may say that the humorous attitude—in whatever it consists—may

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    H SIGMUND FREUD

    have reference to the subject's self or to other people; further, we
    may assume that it is a source of enjoyment to the person who adopts
    it, and, finally, a similar pleasure is experienced by observers who take
    no actual part in it.

    We shall best understand the origin of the pleasure derived from
    humour if we consider the process which takes place in the mind of
    anyone listening to another man's jest. He sees this other person in
    a situation which leads him to anticipate that the victim will show
    signs of some affect ; he will get angry, complain, manifest pain, fear,
    horror, possibly even despair. The person who is watching or listening
    is prepared to follow his lead, and to call up the same emotions. But
    his anticipations are deceived ; the other man does not display any
    affect—he makes a joke. It is from the saving of expenditure in feeling
    that the hearer derives the humorous satisfaction.

    It is easy to get so far, but we soon say to ourselves that it is the
    process in the other man, the ' humorist ', which calls for the greater
    attention. There is no doubt that the essence of humour is that one
    spares oneself the affects to which the situation would naturally give
    rise and overrides with a jest the possibility of such an emotional
    display. Thus far, the process must be the same in the humorist and
    his hearer. Or, to put it more accurately, the hearer must have copied
    the process in the mind of the humorist. But how does the latter
    arrive at that mental attitude which makes the discharge of affect
    superfluous? What is the dynamic process underlying the * humorous
    attitude'? Clearly, the solution of this problem is to be found in the
    humorist himself; in the listener we may suppose there is only an
    echo, a copy of this unknown process.

    It is now time to acquaint ourselves with some of the characteristics
    of humour. Like wit and the comic, humour has in it a liberating
    element, But it has also something fine and elevating, which is lacking
    in the other two ways of deriving pleasure from intellectual activity.
    Obviously, what is fine about it is the triumph of narcissism, the ego's
    victorious assertion of its own invulnerability. It refuses to be hurt
    by the arrows of reality or to be compelled to suffer. It insists that it
    is impervious to wounds dealt by the outside world, in fact, that these
    are merely occasions for affording it pleasure. This last trait is a
    fundamental characteristic of humour. Suppose the criminal being
    led to execution on a Monday had said: “It doesn’t worry me.
    ne TY kø red if = fellow like me is hanged ? The

    . e should have to admit that this

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    HUMOUR 3

    speech of his displays the same magnificent rising superior to the real
    situation ; what he says is wise and true, but it does not betray a
    trace of humour. Indeed, it is based on an appraisal of reality which
    runs directly counter to that of humour. Humour is not resigned ;
    it is rebellious. It signifies the triumph not only of the ego, but also
    of the pleasure-principle, which is strong enough to assert itself here
    in the face of the adverse real circumstances.

    These two last characteristics, the denial of the claim of reality and
    the triumph of the pleasure-principle, cause humour to approximate
    to the regressive or reactionary processes which engage our attention
    so largely in psycho-pathology. By its repudiation of the possibility
    of suffering, it takes its place in the great series of methods devised by
    the mind of man for evading the compulsion to suffer—a series which
    begins with neurosis and delusions, and includes intoxication, self-
    induced states of abstraction and ecstasy. Owing to this connection,
    humour possesses a dignity which is wholly lacking, for instance, in
    wit, for the aim of wit is either simply to afford gratification, or, in so
    doing, to provide an outlet for aggressive tendencies. Now in what
    does this humorous attitude consist, by means of which one refuses to
    undergo suffering, asseverates the invincibility of one’s ego against
    the real world and victoriously upholds the pleasure-principle, yet all
    without quitting the ground of mental sanity, as happens when other
    means to the same end are adopted ? Surely it seems impossible to
    reconcile the two achievements.

    If we turn to consider the situation in which one person adopts a
    humorous attitude towards others, one view which I have already
    tentatively suggested in my book on wit will seem very evident. Itis
    this: that the one is adopting towards the other the attitude of an
    adult towards a child, recognizing and smiling at the triviality of the
    interests and sufferings which seem to the child so big. Thus the
    humorist acquires his superiority by assuming the rôle of the grown-up,
    identifying himself to some extent with the father, while he reduces
    the other people to the position of children. This supposition is
    probably true to fact, but it does not seem to take us very far. We
    ask ourselves what makes the humorist arrogate to himself this
    rôle ?

    Here we must recall the other, perhaps the original and more
    important, situation in humour, in which a man adopts a humorous
    attitude towards himself in order to ward off possible suffering. Is
    there any sense in saying that someone is treating himself like a child

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    and is at the same time playing the part of the superior adult in relation
    to this child ?

    This idea does not seem very plausible, but I think that if we con-
    sider what we have learnt from pathological observations of the
    structure of our ego, we shall find a strong confirmation of it. This
    ego is not a simple entity ; it harbours within it, as its innermost core,
    a special institution : the super-ego. Sometimes it is amalgamated
    with this, so that we cannot distinguish the one from the other, while
    in other circumstances the two can be sharply differentiated. Geneti-
    cally the super-ego inherits the position of the parents in the mental
    hierarchy ; it often holds the ego in strict subordination, and still
    actually treats it as the parents (or the father) treated the child in his
    early years. We obtain a dynamic explanation of the humorous
    attitude, therefore, if we conclude that it consists in the subject`s
    removing the accent from his own ego and transferring it on to his
    super-ego. To the super-ego, thus inflated, the ego can appear tiny
    and all its interests trivial, and with this fresh distribution of energy
    it may be an easy matter for it to suppress the potential reactions of
    the ego.

    To preserve our customary phraseology, let us not speak of trans-
    ferring the accent, but rather of displacing large quantities of cathexis.
    We shall then ask whether we are justified in imagining such extensive
    displacements from one institution in the mental apparatus to another.
    It looks like a new hypothesis, conceived ad hoc ; yet we may recollect
    that repeatedly, even if not often enough, we have taken such a factor
    into account when endeavouring to form some metapsychological con-
    ception of the mental processes. For instance, we assumed that the
    difference between ordinary erotic object-cathexis and the state of
    being in love was that in the latter case incomparably more cathexis
    passes over to the object, the ego as it were emptying itself into the
    object. The study of some cases of paranoia proved to me that ideas
    of persecution are formed early, and exist for a long time without any
    perceptible effect, until as the result of some definite occasion they
    receive a sufficient amount of cathexis to cause them to become
    dominant. The cure of paranoiac attacks of this sort, too, will lie not
    so much in resolving and correcting the delusional ideas as in with-
    drawing from them the cathexis they have attracted. The alternation
    between melancholia and mania, between a cruel suppressing of the
    ego by the super-ego and the liberation of the ego after this oppression,
    suggests some such shifting of cathexis; and this conception would,

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    moreover, explain a number of phenomena in normal mental life. If,
    hitherto, we have but seldom had recourse to this explanation, it has
    been on account of our customary caution, which is surely rather
    praiseworthy than otherwise. The ground on which we feel ourselves
    secure is that of mental pathology ; it is here that we make our obser-
    vations and win our convictions. For the present we commit ourselves
    to an opinion concerning the normal only in so far as we detect it
    amongst the isolated and distorted features of the morbid. When
    once this hesitation is overcome, we shall recognize how greatly the
    static conditions as well as the dynamic alteration in the quantity
    of the energic cathexis contribute to our understanding of mental
    processes,

    I think, therefore, that the possibility I have suggested, namely,
    that in a given situation the subject suddenly effects a hyper-cathexis
    of the super-ego, which in its turn alters the reactions of the ego, is
    one which deserves to be established. Moreover, we find a striking
    analogy to this hypothesis of mine about humour in the kindred field
    of wit. I was led to assume that wit originates in the momentary
    abandoning of a conscious thought to unconscious elaboration, wit
    being therefore the contribution of the unconscious to the comic. In
    just the same way humour would be a contribution to the comic made
    through the agency of the super-ego.

    In other respects we know that the super-ego is a stern master.
    It may be said that it accords ill with its character that it should wink
    at affording the ego a little gratification. It is true that the pleasure
    derived from humour is never so intense as that produced by the comic
    or by wit and never finds a vent in hearty laughter. It is also true
    that, in bringing about the humorous attitude, the super-ego is really
    repudiating reality and serving an illusion. But (without quite know-
    ing why) we attribute to this less intensive pleasure a high value:
    we feel it to have a peculiarly liberating and elevating effect. Besides,
    the jest made in humour is not the essential thing ; it has only the
    value of a proof. The principal thing is the intention which humour
    fulfils, whether it concerns the subject's self or other people. Its
    meaning is: ‘ Look here! This is all that this seemingly dangerous
    world amounts to. Child's play—the very thing to jest about | "

    If it is really the super-ego which, in humour, speaks such kindly
    words of comfort to the intimidated ego, this teaches us that we have
    still very much to learn about the nature of that institution. Further,
    we note that it is not everyone who is capable of the humorous attitude :

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    it is a rare and precious gift, and there are many people who have not
    even the capacity for deriving pleasure from humour when it is pre-
    sented to them by others. Finally, if the super-ego does try to comfort
    the ego by humour and to protect it from suffering, this does not
    conflict with its derivation from the parental institution.